Everything you make, on a page that carries your name.
Five places your work lives, every one of them publishing to your own domain.
Text, images and video. The composer takes media attachments and publishes straight to your subscriber feed.
Subscriptions, one-off sales, pay-per-view and ticketed streams, on a page that carries your name and through the payment provider you already use. The money reaches your bank first. Calisto bills you afterwards.
Your pages, your content, your audience, five ways to be paid, and going live. The money reaches your bank first.
Put your name on it and open the doors.
Everything you make, on a page that carries your name.
Your subscribers. Your messages. Your list.
Five ways to charge, and the provider stays yours.
Go on camera, and charge for the seat.
Fifty-plus payment providers, and you pick the one.
Prove who you are before money moves out.
A platform that collects the money owes you a payout before you have it. Here your own payment provider charges the subscriber and the money settles into your own bank on your provider’s schedule. Calisto invoices its 12% afterwards, as a separate charge, never deducted on the way through.
0%
invoiced after the money is already in your bank
One
payment provider, and it is the one you chose
Zero
accounts Calisto holds your earnings in
Four things set how you show up, and together they produce a public page with a shareable URL where subscribers land.
Name, bio, avatar and links. The identity behind the content.
This is what a visitor reads first, so it is the part you write rather than configure.
One account can run several creator pages, each with its own name, bio and URL.
A label, an agency or a manager switches between them without a second login or a second subscription.
Layout, colours and branding for the public page, and a design editor for profile images, post artwork and promotional assets.
It is the same editor as the rest of Calisto Create, so nothing you make here is trapped in Direct.
Publish websites and mobile apps under your own name, assembled from blocks in the builder.
Each one reads the same content, subscribers and payments as the creator page. One audience, several front doors.
Five places your work lives, every one of them publishing to your own domain.
Text, images and video. The composer takes media attachments and publishes straight to your subscriber feed.
The list exports at any time, and if you leave, the list and the history leave with you.
Every paying subscriber with their tier, status and join date, and a detail view of what they have accessed. Export the whole list whenever you want it.
Direct messaging with subscribers in one-on-one threads, and broadcast messages to your entire audience or a single segment of it.
Group subscribers into lists — VIPs, new arrivals, a specific tier — then send a message or a broadcast to that group rather than to everybody.
The creator builds the content and the audience. Monetization decides how they pay and what they pay for.
A recurring membership, a one-off purchase, a single piece unlocked behind a payment, a tip, and a storefront you can embed. All settling into your own bank.
You set the price. Your own gateway takes the payment.
Recurring memberships. Name each tier, price it, describe what it opens, and drag to reorder. Subscribers pick one and pay monthly.
An embeddable storefront for your digital products. Put it on your own site or share the link.
One-off purchases. Files, downloads and digital assets sold individually, each with its own listing and price.
Pay-per-view. Gate a post or a media file behind a one-time payment. Subscribers see the preview, then pay to unlock.
Money sent because they wanted to, on the page or during a stream, on top of whatever they already pay.
The pricing decision and its result sit on the same row: every tier carries its subscriber count, every product and unlock its sales.
A monthly and an annual price, an optional subscriber cap, and the count currently on each tier.
Three ways to go live, and two ways to be paid while you are.
What came in, what is clearing, and what has already gone out.
Every payout you have requested, the method it went out by and the date it cleared. Denominated per row: take money through a Dominican gateway and a European one and you are paid in both, with nothing converted to make a tidier column.
Recurring revenue, gross settled, tips and platform fees, plotted over time and broken down by tier, so a tier that is not paying for itself shows up as a line rather than a hunch. Downloadable statements and an engagement heatmap sit beside it.
More than fifty supported gateways, across Latin America, the Caribbean, Africa, the Middle East, Europe, Asia and North America. You pick the processor, and it charges your subscribers directly.
Identity verified before a payout runs, and a review queue for anything a viewer reports, so an account taking money has somebody behind it.
An account that takes money from an audience carries obligations, and the tooling for them is here.
A flow that confirms who is behind the account before the first payout runs.
While it is in progress you can see where it has got to, rather than waiting on an email that may not come.
With the notice attached, so you read what was actually said rather than a summary of it.
A queue you work through, so you find out on your own screen rather than from somebody else.
Decide which regions can reach a given piece of work.
A licence or an obligation that applies in one place is honoured there without pulling the work from the rest of the world.
4 of these 6 connections are in your plan today. The rest stay visible so you know the instrument is there before you need it.
A video is gated where it already lives rather than uploaded to a second platform.
A premium episode is the episode in the feed, with the paywall applied at delivery.
Artwork and page design come from Studio rather than a separate builder.
A subscription is charged through your own payment connectors, in the subscriber’s currency.
A new post reaches subscribers as a campaign to the contact records they already are.
The selected purview scopes subscribers, tiers and payouts.
Monetization for creators and their subscribers.
Calisto earns when you earn.
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Catalog, pricing, payments, proposals, contracts, and CRM
Learn more →Account configuration and data rules.
Learn more →Twelve percent of Direct revenue: subscriptions, one-off purchases, pay-per-view and tips. It is billed to you afterwards as a separate charge, not deducted on the way through, because the money never passes through an account Calisto controls.
Your own gateway. You connect a provider from more than fifty supported ones and it charges the subscriber directly, so the funds settle into your bank on your provider’s schedule rather than waiting on a platform payout run.
Yes. A subscriber is a contact record in your own database, with the tier and join date on top of it, and the list exports at any time. If you leave, the list and the history leave with you.
Yes. The creator page, the sites and the mobile apps all publish under your own name and domain, assembled from blocks in the builder, and every one of them reads the same content, subscribers and payments. One account can run several artist pages this way, each with its own name, bio and URL.
Identity, during onboarding, with the status visible while it runs. A payout goes to somebody who has been checked. Anything a viewer reports lands in a queue you work through, and access rules let you decide which regions can reach a given piece.