A full design editor: nineteen canvas sizes, templates, layers, animation and print-ready export. What you finish is already an asset in your account, so the lobby screen, the campaign and the website can use it without a download.
Templates in nineteen canvas sizes, a media library, brand controls, AI tools, and export. No step between finishing a design and publishing it.
Nineteen presets across the feed, the printer and your own screens.
A gallery you browse by size, then filter by what it is for.
The editor controls that shape what is on the canvas.
What you can drop onto a design, and where it comes from.
Where your designs live and what you open them from.
One asset store, shared with every app that publishes.
Mockups, QR codes and the brand kit, on their own screens.
Generation and cleanup, inside the editor rather than beside it.
The formats a finished design leaves in, when it has to leave.
What a published design did after it went out.
On brand by default, with the check running while you design.
More than one person on the same design.
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designs from one template in a bulk run
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canvas sizes across social, print and screens
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export formats
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exports needed between design and publishing
Every canvas opens at the right pixels for where it is going, so nothing has to be resized after the fact. Any width by any height is a first-class option too.
Instagram posts and stories, Facebook posts and covers, an X post, a LinkedIn banner, a YouTube thumbnail and a TikTok frame.
A4 either way up, A3, US Letter, a business card and a rack card, at 300dpi so the thing you send to print is the thing that comes back.
A presentation, an email header, and the two nobody else can offer you: a lobby screen and a kiosk portrait, sized for the Display screens and Kiosks this platform already runs.
A gallery you browse by size, because size is the thing that has to be right, then filter across twelve content categories. Each card is a master template with a skin toggle, so you choose the look before you open it. Selecting one opens the editor with everything in place.
Open a template or a blank canvas at any of the sizes below, then add text, images, shapes and your brand assets. Everything you make lands in your design library.
Multiple people edit the same design at once, syncing live over Yjs. See who else is in the document.
Recent, All Designs, Starred, and Trash filter your library without any manual organizing.
Organize your designs into project folders. Create, rename, color-code. Dynamic folder list in the sidebar with design counts.
The controls a design tool is expected to have.
Stacking and paging, both.
The edits you make constantly.
With a command palette over the top.
Text, shapes, images, vector artwork, QR codes and product mockups, all from a permanent palette in the editor. Stock photos from Pexels, Pixabay and Unsplash search inline without leaving the canvas. QR codes are built inside the editor with your brand colours. Product mockups composite the design onto a t-shirt, a mug, a phone case or a billboard.
Studio opens on what you were working on, not an empty canvas.
Your account's images, searchable, draggable straight onto the design.
Nothing you upload here is a Studio file. Designs, exports and every image you place are written into the shared account store, which is the store every other app reads.
So a photo uploaded in Studio is already in the media picker of every app that has one, and what the team filed last month is already in your sidebar. Storage is the account quota, read live, not a design-tool allowance nobody is watching.
Three tools sit in the Studio sidebar on their own screens: the brand kit you keep open while you design, the mockup generator, and the QR builder.
An AI panel docked inside the design editor. Every tool returns a result you place on the canvas. The panel is switched on per account and simply is not there until it is.
Describe what you need, set a tone and a channel, get headline and body variants.
A critique of the spacing, hierarchy and readability on the canvas, with specific suggestions.
Select an image and get a visual critique.
Describe an image and get a PNG.
The subject is isolated on transparency.
Mask a region and it is filled in.
Extend an image past its borders, with the new margins generated to continue it.
Motion is a property of the objects you already drew, not a different product with a different timeline and a different file to reconcile.
Data merge for design: the same layout, rendered once per row of a spreadsheet.
Any design in your library. The tool finds the placeholder tokens in its text.
Upload a CSV or paste rows. The tool parses the columns.
Matching names map themselves. Adjust the rest by hand.
The substituted values as a table, and row one rendered live on the canvas.
Up to 200 designs, each saved to your library, exportable as PNG in one batch.
PNG, JPG, SVG and PDF, web at 72dpi or print at 300dpi, with transparent backgrounds and print-ready bleed, crop and registration marks. Or skip the file: hand the design straight to a campaign, a screen or a website, each of which then shows the live design rather than a copy of it. Fix a typo in the editor and you have fixed it on the wall.
A blank space to think on before anything has to look finished. A grid view lists every board you have with its title and thumbnail.
Designs created, how many carry a preview, every export counted by format, and the public links currently live. Pick the window: seven days, thirty, ninety, or a year.
A standalone editor can store your hex codes. It cannot tell you the poster going to the printer on Friday is off brand, because it has never seen your brand. Here the check runs on the canvas, which is the only place a mistake is still cheap to fix.
Studio does not keep a copy of your brand. It reads the live one, for the account you are signed into. Change the brand centrally at lunchtime and the canvas you open after lunch is already the new one.
The palette sits in the sidebar with its roles, so a fill is a brand decision rather than a hex you remembered.
Text presets drop in at the brand faces. Nothing is styled to a default and corrected later.
Every approved mark, in the versions that were approved.
Viewer bubbles in the editor header show who else is in the document. There is no Studio seat list, because it is the same sign-in as the rest of your business.
Edits sync between everyone in the document as they happen, merged rather than last-write-wins. Two people on the same poster at the same time is a normal Tuesday, not a recovery operation.
The share dialog completes people from your contacts as you type, under the same personal-data rules the rest of the platform applies. Typing an email address by hand always works.
2 of these 5 connections are in your plan today. The rest stay visible so you know the instrument is there before you need it.
Account media in the Studio media library is stored in Depot.
The brand kit and the account governed creative templates are authored in Purview, and Studio browses them read-only.
A finished design can be sent from the export screen into Campaigns with its context carried through.
A finished design can be sent from the export screen into Display with its context carried through.
A finished design can be sent from the export screen into Sites with its context carried through.
Content creation for your brand.
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Account configuration and data rules.
Learn more →A real design tool. Layers, multi-page documents, vector import, alignment and arrange, snapping and safe zones, undo history, animation with a video export, and print-ready output at 300dpi. Judge it on that first. The platform connections are what make it better than a standalone editor, not what makes it a product.
Yes, at the same time. Edits are merged as they happen rather than last-write-wins, and the editor header shows who else is in the document. There is no collaboration tier to buy and no second invitation list, because the people you would share with are already the people in your account.
Both. Any object can take one of nine entrance animations with its own duration, delay and easing, pages can take one of five transitions, the timeline plays back on the canvas, and the result exports as a video file.
Into the shared file store, which is the same store every other app in the account reads. From the export screen it can be handed straight to a campaign, a screen or a website, so publishing does not require a download in the middle. Standard file exports are still there when you want the file itself.
No. The AI panel is switched on per account, and every canvas size, template, folder and export on this page works without it.
The production steps that are otherwise manual: drafting the copy, critiquing a layout, generating or reviewing an image, cutting out a background, erasing part of a picture and extending one past its edges.
The brand kit is read from Purview and Ethos runs the check inside the editor, so an off-brand asset is flagged where it is made rather than after it has shipped.
Yes. Any width by any height, alongside the nineteen presets, and a custom canvas behaves exactly like a preset one.
Up to 200 from a single template. Each one lands in your library as its own design, and the whole run exports as PNG in one batch.
PNG, JPG, SVG and PDF, at web or print resolution or a custom scale. PNG and SVG can drop the background, and every export is listed so you can re-run it with the same settings.
Yes. A whiteboard is its own infinite canvas with its own grid view, opened from a starter template rather than a canvas size.
Yes, into the shared store, where they become reusable across every surface. Templates rebuild in the editor.